良いゾンビ映画を見ることには奇妙な満足のいくものがあります。おそらく、それはあなたの家の快適さから社会的崩壊を目撃するチャンス、または日常のルールが消えた場合にどのように生き残るかを疑問に思う興奮です。理由が何であれ、このジャンルは長年にわたって人気を博しています。それはすべて初期の映画から始まりました。 White Zombie (1932)は最初の映画アンデッドを紹介しましたが、今日の私たちが知っているようにゾンビを本当に作成したのは、ジョージ・A・ロメロの of the Living Dead (1968)でした。彼の一連の映画は、ゾンビを消費主義や冷戦の不安など、さまざまなもののシンボルに変えました。
その後、2002年に28日後の が到着し、ゾンビのジャンルを完全に再形成しました。ダニー・ボイルの映画は、ゾンビに対してはるかに速く、より攻撃的なテイクを発表しました。彼らはゆっくりと、シャッフルする死体ではありませんでした。代わりに、彼らは走り、うなり声を上げ、急速に圧倒的な社会をしていました。これにより、このジャンルに新しい命が吹き込まれ、映画製作者の注目を集め、より速い物語、より魅力的なキャラクター、本当に恐ろしい生き物でゾンビ映画の急増を引き起こしました。
時間が経つにつれて、ゾンビのジャンルはより多様になり、さまざまなテーマやアプローチを探求しています。 28年後ののリリースは、続編ファンが待っていたことを示しており、これらの映画が引き続き人気があり魅力的であることを示しました。したがって、差し迫った運命の感覚を作り出す映画を楽しんだり、単にスリリングなゾンビチェイスを愛する映画を楽しんだり、28日後に作られた最高のゾンビ映画を紹介します。
‘#Alive’ (2020)
Alive tells the story of Oh Joon-woo, a young man who enjoys gaming and livestreaming. He wakes up one day to find his apartment building filled with people infected with a mysterious illness. His neighbors are violently sick, running around and attacking others. With no way to contact the outside world, Joon-woo must find a way to survive on his own, carefully managing his limited resources while watching the city fall apart from his window. His only connection to another person is Yoo-bin, a fellow survivor who lives across the courtyard, and they communicate using clever signals.
Eerily Familiar, Yet Cinematic
As a fan, I have to say that urban survival in #Alive feels so much more realistic than those classic zombie flicks. It really nails the feeling of being trapped and the claustrophobia of it all. Director Cho Il-hyung does an amazing job keeping the camera work really close and responsive, which just cranks up the tension, especially since everything happens in these confined spaces. And Yoo Ah-in? He’s fantastic – such a believable and grounded performance. What’s really interesting is that it came out during the COVID-19 pandemic, and it instantly resonated with people. It topped Netflix’s chartsalmost right after it premiered, which shows how much it connected with what everyone was feeling.
‘Pontypool’ (2008)
Directed by Bruce McDonald, Pontypool is set in a snowy town in Ontario, Canada. The story begins with Grant Mazzy, a morning radio host, receiving odd reports about groups of people gathering and repeating phrases. As he and his crew investigate, they discover a terrifying truth: an infection is spreading through spoken language. Trapped inside the radio station, Mazzy and his team must find a way to survive in a world where simply talking could be deadly.
Zombie Horror Driven by Sound
Pontypool offers a fresh take on the zombie genre, focusing on psychological horror rather than graphic violence. Director McDonald builds suspense gradually, creating a truly frightening experience. The horror doesn’t come from traditional undead creatures, but from people whose language has become distorted, driving them to aggression. This unique concept, combined with skillful filmmaking, has given Pontypool a dedicated following despite its relatively low budget.
‘Blood Quantum’ (2019)
A zombie outbreak hits the Red Crow Indian Reservation in Canada, but surprisingly, the Indigenous people are unaffected by the disease that’s wiping out the rest of the world. As society crumbles, the reserve offers safety, leading to conflict between those who are immune and the outsiders desperately seeking shelter. Sheriff Traylor finds himself in the middle of this crisis, forced to make a difficult choice between his loved ones and his responsibilities.
Horror with Cultural Depth
Blood Quantum doesn’t shy away from intense violence, and it uses that brutality to make a powerful statement about society. The film focuses on Indigenous stories, specifically looking at themes of trauma and how people endure. Director Jeff Barney films everything with a very realistic, unpolished style, and the special effects are intentionally harsh. While the zombies themselves act like classic undead creatures, the story introduces a unique twist regarding immunity, which adds a deeper, symbolic meaning. After its debut at TIFF, the film became available to stream on Shudder and is a zombie movie you shouldn’t miss.
‘Zombieland’ (2009)
The zombie genre is already pretty captivating on its own, but it really gains popularity when combined with comedy. In Ruben Fleischer’s Zombieland, the United States has descended into chaos. A new, dangerous form of mad cow disease has caused a widespread zombie apocalypse, leaving only a handful of survivors. We’re introduced to Columbus, a socially anxious loner, who meets Tallahassee, a cowboy with an intense craving for Twinkies, and the sisters Wichita and Little Rock, a pair of cunning con artists who have trouble trusting others. Together, they reluctantly team up and embark on a road trip.
Irreverent Spin on the Apocalypse
Zombieland is structured like a series of connected adventures. This lets each new location become a fun setting for both imaginative zombie killings and for the characters to grow. Everything builds towards a chaotic final battle at an abandoned amusement park. Essentially, the movie is a smart and enjoyable tribute to zombie films, featuring fast-moving, scary zombies who are defeated in clever and unique ways. The film features performances by Jesse Eisenberg, Woody Harrelson, and Emma Stone.
‘The Girl With All the Gifts’ (2016)
Colm McCarthy’s The Girl With All the Gifts takes place in a Britain of the near future, which has been destroyed by a fungal disease. Those infected, called “hungries,” are quick, aggressive, and have a constant, overwhelming need to eat. At a military installation, scientists are studying a group of children born to infected mothers, looking at what makes them different. One of these children is Melanie, a naturally inquisitive girl. When the base is attacked, Melanie and a few others begin a dangerous trip to find safety.
Cerebral and Unsettling
This isn’t a typical zombie story. It’s a thoughtful look at what defines humanity. The director creates a haunting atmosphere, allowing the desolate scenery and quiet moments to powerfully convey the story. The infected, with their jerky movements and quick speed, are realistically frightening. The film takes inspiration from the fast-zombie concept in 28 Days Later, but adds elements of biological horror and complex moral questions.
‘World War Z’ (2013)
World War Z is an action-packed horror film directed by Marc Forster, based on the novel of the same name written by Max Brooks. The story follows Gerry Lane, a former worker for the UN, who is pulled away from his family when a deadly pandemic begins to spread rapidly around the world. Those infected attack in large groups, quickly taking over and destroying entire cities. Lane journeys from Korea to Jerusalem and then to a World Health Organization facility in Wales, searching for the source of the outbreak and a potential way to stop it.
Engineered for Maximum Dread
The movie is incredibly large in scope, showing alien views of cities falling, military installations, and laboratories on the verge of destruction. The famous scene of the wall being broken in Jerusalem is filmed with a sense of immediacy that’s common in this type of film. To explain, while 28 Days Later first showed us quick-moving zombies, World War Z turns them into huge, swarming groups to make the danger feel worldwide.
‘Dawn of the Dead’ (2004)
In Dawn of the Dead, a strange virus quickly spreads through Milwaukee, and nurse Ana narrowly avoids disaster in her hometown as society falls apart. She teams up with other survivors – a police officer, an expectant mother, and a jaded salesman – and they find shelter in a shopping mall. However, when zombies break into the mall, it becomes a place of both safety and confinement.
Mall Carnage Turned Into a Blockbuster
Zack Snyder’s 2004 reimagining of George A. Romero’s Dawn of the Dead successfully combines fast-paced zombie thrills with insightful observations about society. Taking cues from the quick-moving infected in Danny Boyle’s film, this version presents the zombies as a truly frightening, unstoppable force. However, the movie offers more than just scares. It also explores the difficult moral and ethical choices faced by the survivors as they struggle with who they can trust and how far they’ll go to maintain their humanity and sanity.
‘[REC]’ (2007)
[REC] centers around Ángela Vidal, a television reporter who covers late-night events, and her cameraman, Pablo. They accompany a fire crew responding to what seems like a typical call at an apartment building in Barcelona. However, the situation quickly turns frightening when a resident violently attacks a firefighter, displaying savage behavior. The building is locked down, trapping everyone inside, and Ángela continues to film as things fall apart.
Terrifyingly Immersive Zombie Movie
This is a truly captivating and suspenseful found-footage horror film that creates a deeply unsettling and immersive experience by putting you right in the heart of a zombie outbreak. The camera, held by Ángela, constantly records, capturing every instance of fear, brutality, and discovery as the origins of the outbreak are revealed. [REC] quickly became a sensation, leading to several sequels and an American adaptation called Quarantine.
‘Train to Busan’ (2016)
Yeon Sang-ho’s Train to Busan really launched South Korean horror films into the spotlight, and the genre hasn’t been the same since. The story centers around Seok-woo, a busy fund manager, who is traveling to Busan with his daughter when a zombie outbreak quickly overwhelms South Korea. As the infection spreads throughout the train, the passengers are forced to struggle for their lives within the moving vehicle.
Zombie Masterpiece With a Beating Heart
Coming more than ten years after Danny Boyle’s 28 Days Later, Train to Busan completely changed people’s expectations for zombie films. It’s intensely violent and fast-paced, yet also surprisingly emotional. The filmmaking, despite the sense of urgency, is smooth and cleverly uses the train’s design to create some of the most original action sequences in the genre. The zombies themselves are frightening and appear in huge numbers, and the acting is excellent.
‘Shaun of the Dead’ (2004)
In Shaun of the Dead, the main character, Shaun, is feeling unfulfilled with his life. He has a job that’s going nowhere, isn’t really making any progress, and is having trouble with his relationship with his girlfriend, Liz. When zombies suddenly appear all over London, Shaun doesn’t immediately realize what’s happening. However, once the zombies start breaking into pubs and attacking people, he and his close friend Ed decide to take action. Their goal is to save Liz and find safety at the Winchester pub, hoping the chaos will eventually subside.
A Hilarious Genre Homage
As a film buff, I’d describe this movie as a wonderfully messy, incredibly funny, and surprisingly touching experience. It’s basically a series of escalating blunders, with characters stumbling through both leadership challenges and personal heartbreak, all while literal streets fill with zombies. But it’s so much more than just a spoof! Directed by the brilliant Edgar Wright and featuring the always-fantastic Simon Pegg and Nick Frost, it’s bursting with imagination. The scenes are so creative, the humor is lightning-fast, and Wright throws in these clever visual nods and a really energetic editing style that just keeps things moving. It was a huge success with both critics and audiences, and it really launched Wright’s career. It also proved that zombie films could be genuinely hilarious without losing that essential edge.
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