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キル・ビル: 血まみれの事件全体
サイレント・ナイト、デッドリー・ナイト
Read Gregory Nussen’s full review of Silent Night, Deadly Night.
エラ・マッケイ
エラ・マッケイ公式トレーラー
Chaotic, disjointed and worst of all phony where virtually all of its predecessors exuded an authentic, even uncomfortable relatability.
Read Todd Gilchrist’s full review of Ella McCay.
グリンチがクリスマス 25 周年を盗んだ方法
グリンチがクリスマスを盗んだ方法 |トレーラー
Like its main character, How The Grinch Stole Christmas isn’t a cult success in spite of its oddities but precisely because of it.
Read Gregory Nussen’s full review of How The Grinch Stole Christmas.
メルブ
メルブトレーラー
Across Merv‘s 105-minute runtime — another problem entirely, as the movie often feels like it slows to a dreadful crawl — the pair are clearly doing their best to elevate the material beyond its bluntly boring nature.
Read Grant Hermanns’ full review of Merv.
真面目な人
真剣な人たちの予告編
Serious People is much more about how people like Miguel can ingratiate themselves to other people under the guise of seriousness, becoming, by pure chance, what they had embodied the whole time.
Read Graeme Guttmann’s full review of Serious People.
アトロピア
アトロピア、軍事基地を舞台にした大声で笑える風刺ロマンス
Even when the script does not hammer home its layers, it is Shawkat, with all her star power and prowess, who carries the emotional weight of the film to ground all its silliness.
Read Patrice Witherspoon’s full review of Atropia.
ローズミード
ルーシー・リューがローズミードで最高のビーチデーを過ごすクリップ
Lucy Liu’s devastating performance as a fiercely dedicated yet desperate parent helps elevate what’s an undeniable tragedy into a story about a mother’s ultimate — if misguided — expression of love.
Read Todd Gilchrist’s full review of Rosemead.
ブロークバック マウンテン 20 周年
ブロークバック・マウンテン |トレーラー
As uncertain — or perhaps anecdotal — as its cultural legacy might be to those individuals who found themselves validated by its existence, the cinematic legacy, at least, of Brokeback Mountain remains assured.
Read Gregory Nussen’s full review of Brokeback Mountain.
ワン・モア・ショット
The film has some of the requisite moments of figuring out just what is happening to herself, but skips past what should be an amusing section of indulging in hedonism. Minnie just isn’t having a good time, and so neither do we.
Read Gregory Nussen’s full review of One More Shot.
母と脅迫者と私
母と脅迫者と私 予告編
Indeed, much of the comedy here is extremely broad, too. A lot of the humor is mined from Wisconsin in-jokes. People even passingly familiar with the state will hear accents and references to burger chains and local townships and nod with understanding.
Read Gregory Nussen’s full review of The Mother, The Menacer, and Me.
ヨーロッパのニューフェイス
ヨーロッパのニューフェイスのトレーラー
Abbas creates a series of striking compositions and still-lifes in this first section, giving us, as close as he can, the textured experience of being trapped within dilapidated walls.
Read Gregory Nussen’s full review of Europe’s New Faces.
孤独な侍
孤独なサムライ トレーラー
Strangely, the film would probably have been best as a sort of Cast Away-style survival film, because as soon as it moves from the exceptional tranquility of the first third to the nauseating violence of the last two thirds, it loses all the majesterial quality it had built up.
Read Gregory Nussen’s full review of Lone Samurai.
ビ・ガンの復活
ビー・ガンの復活トレーラー
Shot with alacrity by Dong Jinsong, who also collaborated with Bi Gan on Long Day’s Journey Into Night, Resurrection is one of the most gorgeously photographed films of the year.
Read Gergory Nussen’s full review of Bi Gan’s Resurrection.
2025-12-12 13:03